With Seven Vogue Covers To DateOn by
Born in Belarus in 1991, Tanya Dziahileva had an early begin in modeling. Signed to an agency at the age of 14, her debut on the Spring / Summer 2006 catwalk saw her appear for Prada, Chloe, Chanel, and Alexander McQueen. Tanya’s launch into high-fashion continued with editorial work for British Vogue in February 2006 and a campaign for Hugo Boss featuring Tanya with Agyness Dean.
Both models were a informing choice for the brand; Deyn got broken into the industry herself just, with her unique street style and peroxide hair making waves already. Aged 15, Tanya scored her first major solo campaign when she became the true face of YSL, photographed by Juergen Teller. Normally such a high-profile reservation would daunt even a skilled model, but Tanya taken care of the pressure and expectation such as a seasoned professional. 2007 noticed sustained success, with Tanya reserving a marketing campaign for Lanvin, photographed by the renowned Steven Meisel.
If Tanya sensed nerves, she didn’t show them – and within a few months she acquired also secured a fragrance agreement with Nina Ricci and became the facial skin of the Michael Kors brand, changing Carmen Kass. The model-switch displayed a key change in fashion’s preferences. Tanya’s first runway season of 2007 saw her walking in shows for Alberta Ferretti, Calvin Klein, Chloe, Dior, Givenchy, Marni, Oscar de la Renta, Proenza Schouler, Vera Wang, and Zac Posen. Her reservation sheet was a smattering of newly-formed design homes, such as Proenza Schouler and Zac Posen, plus much more set up brands like Oscar de la Renta and Givenchy. But her breakout season came in September when she was hired for 71 shows.
She was also picked to open up the Versace show, and closed four shows including Phillip Lim, Celine, and Valentino. Incredible as these achievements were for a model that was only 16 years of age, the years 2008 would ultimately be Tanya’s blockbuster. She landed two major campaigns; one with Anja Rubik and Maryna Linchuk for DSquared, and the next with global brand Ralph Lauren. Tanya’s growing position as you to view was cemented when she booked over 70 shows for Feb 2008 further. Month The same, she was got by her first cover, with Russian Vogue.
The seal of approval from Vogue required Tanya’s career to another level, in July getting her bookings in the couture shows. Standing at 5′ 11″, Tanya was height-perfect for couture and made appearances for Armani Prive, Valentino, and Dior. Couture’s reputation for being tricky to model is well-founded notoriously, but Tanya’s body of runway experience meant her debut in Paris was earned fair and square.
Far from being elitist, haute couture is probably the fairest sector of the industry as it pertains to employ: capability wins over hype every time. Couture modeling requires a level of skill beyond ready-to-wear, with models being asked to effectively play a personality – whether that’s offering Armani’s space-age glamour gowns some gravity, or embodying John Galliano’s haughty equestrian illusion. Haute Couture is a hybrid of fashion matches theater, and Tanya disproves the misconception that possessing a memorable face means you can’t be adaptable.
- 47 percent of student
- Blend sugars and lemon and apply it all within the face
- 6 years ago from South of France
- Rub for two minutes in circular movements
In August, Tanya did her first major editorial with U.S Vogue, shot by Steven Meisel, accompanied by a slot in Japanese Vogue and a feature in Russian Vogue where Tanya was dubbed a ‘top model’. Russian Vogue has an especially good history of recognizing model talent: their decision to devote an entire issue to Natasha Poly launched her career into the stratosphere.
Tanya’s runway season in September was further proof that if a top model must be versatile, she fulfilled that requirement in spades. Opening and closing shows for Elie Saab and Yohji Yamamoto, Tanya’s capability to morph from one aesthetic to some other couldn’t be clearer: it’s hard to think about two designers more unique of Saab and Yamamoto. Saab’s reputation as a persecutor of red-carpet Yamamoto and glamour clean, post-modern vision make sure they are immediate opposites, but Tanya’s keenly-honed runway skills designed she booked appearances for both. September ’09 noticed Tanya skip New York, Milan, and London Fashion Weeks, concentrating exclusively on Paris with bookings for Alexander McQueen, Dior, Hussein Lanvin, and Chalayan.